Artists

Aidas Bareikis

• Bierach, Barbara, “King Leo,” Capital, July 2008, pp. 138-139, 162-164
• Heimburger, Kathrin, "Pure Garbage," Sleek, Issue 16, 2007, p. 87
• Barker, Ray T., "Junkyard Love," Metro Kansas, February 23 - March 1, 2006, p. 31
• Thorsten, Alice, "Going for Baroque," Kansas City Star, January 29, 2006
• Ad in Artforum, January 2006, p. 117
• Paumgarten, Nick, "Salesman," The New Yorker, October 17, 2005, pp. 144-151, 153-155
• "Aidas Bareikis," Falter, September 2, 2005, p. 32
• "Aidas Bareikis," Heute, January 31, 2005, p. 4
• "Muellkunst," Die Zivilisationsmonster, www.weinweb.at - artikel druncken, January 31, 2005
• "Aidas Bareikis," City, Nr. 4, January 28, 2005, p. 10
• “Installationen aus Muell,” Wirtschaftsblatt, January 2, 2005
• “Aidas Bareikis,“ tv.ORF.at, January 24, 2005
• “Die Kulturwoche,“ Wien Magazine, January 22, 2005
• “Recyclingkunst: Bizarre Skulpturen von Aidas Bareikis, www.wien.info, January 11, 2005
• “Installationen aus Muell,” Wirtschaftsblatt, January 2, 2005
• Hofleitner, Johanna, “Traumer und Schocker,“ Schoufenster, December 17, 2004, p.19
• Raap, Jurgen, “Meesen & Markte,“ Kunstforum, November 2004, pp. 390-391
• Ebert, Sandra, and Michael Wand, “Art Cologne: der Chef Zigt Ihnen, Was Sie Sehen Mussen,“ Express, October 28, 2004, p. 42
• Deimantas Narkevicius interviews Kestutis Kuizinas, Flash Art, July-September 2004, pp. 57-59
• Maine, Stephen, “Dateline Brooklyn,“ Artnet, April 15, 2004
• Schaernack, Christian, “Den Talk of the Town provoziert eine Neuentdeckung,” Handelsblatt, Kunstmarkt, Friday/Saturday, March 5/6, 2004, Nr. #46
• Cotter, Holland, The New York Times, February 27, 2004, p. E27
• Worth, Alexi, “Galleries-Soho,” The New Yorker, May 26, 2003, p. 20
• Levin, Kim, "Voice Choices, ShortList," The Village, Voice, May 21-27, 2003, p.72
• “Litwini w Zachecie,” Gazeta Finansowa, April 5-11, 2003
• “Aidas Bareikis,” Grand Street 71, Danger, from conversations with Thomas Mediodia, April, 2003, pp. 56-61
• “Litwini w Zachecie,” Rzeczpospolita – W2, Nr. 75, March 29-30, 2003
• Kowalsa, Agnieszka, “Co po nas zostanie,” Gazeta Wyborcza, Nr. 75, March 29-30, 2003
• “Odpadki wspólczesnej, cywilizacji,” Gazeta Wyborcza – Stolecnza, Nr. 74, March 28, 2003
• “Litewskie impresje,” Zycie Warszawy, Nr. 73, March 27, 2003
• Kreivyte, Laima “Ar gali Lietuvoje nupirkti Bareiki?“ Verslo Zinios, July 17, 2002
• Miksioniené, Ruta, “Installiancija koridoriuje – raktas I elito pasauli,” Muzu Malunas, Nr. 25, July 9, 2002
• Nakiene, Auste, “Is Ibegejau, Atsilplesiau Nuo Zemes Ir Pakilau,“ Summer 2002, pp. 47–49
• Januskeviciute, Virginija, “Sugydytos atliekos,” 7 Meno Dienos, Nr. 26, June 28, 2002, p. 8
• “Aidas Bareikis, apie siuolaikinio meno rinka Amerikoje ir Lietuvoje,” OMNI, www.omni.lt, June 20, 2002
• Nakiene, “Kaip is putu sukurti objekta,” Siaures Atenai, June 8, 2002, p. 3
• Pakalkiene, Rasa, “Lietuvis Niujorko Katile,“ Lietuvos Zinios, Nr. 113, May 18, 2002, p. 20
• Kushner, Rachel, "Aidas Bareikis," artext, no. 75, November 2001 - January 2002, p. 81
• Mahoney, Robert, "Aidas Bareikis," Time Out New York, Issue 303, July 12-19, 2001
• Johnson, Ken, Art Guide, The New York Times, July 6, 2001
• Plachy, Sylvia "Aidas Bareikis," The New Yorker, July 9, 2001, p.15
• Louis, Kathleen, “Queens Museum Of Art Crosses Line To Reach Communities,” Queens Spotlight, July 2001, pp, 33 and 36
• Johnson, Ken, "Aidas Bareikis," The New York Times, June 29, 2001, p.E31
• Johnson, Ken, “Aidas Bareikis, Silence Before the Fall,” Art in Review; New York Times, June 29, 2001, p. E31
• Levin, Kim, “Aidas Bareikis,” The Village Voice, June 26, 2001, No.25, p. 85
• Kuncius, Herkus, “Nelinksmos Babilono Sodo Dienos,” Kulturos Barai 4, 2001, pp. 64-65
• Rigney, Robert, “Confessions of an Art Freak,” ArtNews, March 2001, pp.100-102
• Daniels, Corinna, “Fantasche Sammler am Rande des Tabubruchs,“ Die Welt, April 26, 2000
• Reichensperger Petra, “Im Warenkorb der Wüste,“ Der Tagesspiegel, April 18, 2000
• Wendenburg, Christina, “Auf der Durchreise heimisch werden,“ Berliner Allgemeine, April 6, 2000
• “Todes-Geschichten,“ Suddeutsche Zeitung, Munchen, March 28, 2000
• “Ausstellung” Berlin Magazin, March 28, 2000
• “Come in and find out Vol. 3,“ Berlin Ticket, Nr. 11, 2000
• Princenthal, Nancy, “Generation Z: Slacker than Thou,” Art in America, October 1999
• Labelle, Charles, “Generation Z,” Frieze, Issue 48, September-October, p. 98
• Zing Magazine, vol. 3, autumn, 1999
• “Grenzen Übertreten,” Berlin Magazin, Nr. 7, 1999
• Heiss, Alanna, Gesprache Mit Ausstellungsmachern, “Eine Art Guerrilla,“ Kunstforum International, 1999
• Aster, Paul, “Brooklyn Spice,” Artnet.com, May 26, 1999
• Waterfront Week, Vol. 9.8, April 22, 1999
• Rattemeyer, Christian, “504-New York Passage,” Blitz Review, Wednesday, April 14, 1999

Norbert Bisky

• “Norbert Bisky,” Texte Zur Kunst, “Fashion,” Nr. 78, June 2010
• Interview with Julia Rothhaas, Spuren Des Schreckens, Süddeutsche Zeitung Magazin, Number, April 30, 2009, pp 24-29
• Goldfine, Gil, “A History of Violence,” Asian Art News, Volume 19, Number 2, March/April, 2009, pp. 54-59
• Bryant, Eric, “Berlin Rising,“ ARTnews, March, 2009, pp. 92-99
• van der Beek, Mim, “Norbert Bisky,” Kunstbeel.NL, nr. 3, 2008, p. 86
• Egan, Maura, "Ich Bin Ein Artist," The New York Times Style Magazine, September 7, 2008
• Rigney, Robert, “Norbert Bisky,” ARTnews, March, 2008, p. 150
• Hohmann, Silke, and Oliver Koerner von Gustof, "Himmel & Holle," Monopol, January 2008, pp. cover, 28-31
• Gisbourne, Mark, "The sacred in the profane (NorbertBisky*)," art.es, issue 23, 2008, pp. 34-39
• Richter, Barbel, “Im giftengien Licht der Moderne,” Junge Freiheit, Nr. 51/07, December 14, 2007
• Banai, Nuit, "Norbert Bisky, "What's wrong with me?", TimeOut -New York, December 13-19, 2007
• Grimberg, Klaus, "Expelled From 'False Paradise'", The Atlantic Times, December 2007
• Risemberg, Rafael, “Norbert Bisky,” The New York Blade, volume xi, issue 48, November 30, 2007, p. 18
• Koerner von Gustor, Oliver, "Norbert Biskys himmlisch schwule Fantasien," Welt Online, November 3, 2007
• Preuss, Sebastian, “Knabenland ist abgebrannt,” Berliner Zeitung, Nr. 257, November 2007, p. 31
• “Ich kann 4000 Grautone unterscheiden” (interview), Tip Berlin, Nr. 23, November 2007, pp. 16-19
• "Meine Bilder sind Fremdkorper," (Interview), Der Spiegel, No. 44, October 29, 2007, pp. 210-213
• Rieger, Birkit, "Portrat Norbert Bisky," Zitty Berlin, October 25-November 7, 2007. pp. 66-68
• Sack, Adriano, "Glunhende Land Schaften," Vanity Fair, Nr. 43/18, October 2007, pp. 102-109
• Herchenroder, Chr., “Mehr Pluralismus weniger Eintanzer,” Handelsblatt, Nr. 188, September 28-30, 2007, p. 1
• Studer, Margaret, “The Season for Art: A guide to fall’s blockbuster faits,” Wall Street Journal Europe, September 14-16, 2007pp. 10-11
• Bernard, Stuart, "Norbert Bisky," ArtUS, May/June 2007, cover and p.18
• Drucks, Achims, "Norbert Bisky," Taz.de, May 11, 2007
• "Die Bisky-Boys," Tagesspiegel.de, April 11, 2007
• Knofel, Ulrike, "Der Uberflieger," Der Spiegel, Nr. 22, 2006, pp. 142-143
• Wright, Karen, "Under the Influence," (interview) Modern Painters, March 2005, pp. 76-81
• Henry, Max, “Norbert Bisky@Leo Koenig”, Art in America, June/July 2004, p. 18
• Herbstreuth, Peter, “Norbert Bisky,” Flash Art, May-June 2003, pp. 153-154

Greg Bogin

• ““Newtonland” at White Flag Projects,” Contemporaryartdaily.com, April 9, 2010
• Donoghue, Katy, Greg Bogin "I Want to Be Your Friend", whitewall, April 23, 2009
• Maine, Stephen, "Greg Bogin at Leo Koenig Inc." Art in America, January 2007, p.1
• Berwick, Carly, "Greg Bogin," ARTnews, November 2006, p. 187
• Sholis, Brian, "Greg Bogin," New York Critics Pick, artforum.com
• "Greg Bogin,” The New Yorker, February 2, 2002
• Henry, Max. "Greg Bogin at Koenig," Art in America, November 2000, pp.164-165
• “Bogin @ Koenig,“ Flash Art, Vol. 23, No. 213, Summer 2000
• "Greg Bogin," The New Yorker, May 29, 2000

Nicole Eisenman

• White, Brian Evans, "Nicole Eisenman," Art US, No. 28, Summer 2010, pp.86-87
• Smith, Roberta, "Post-Minimalism to the Max," The New York Times, February 10, 2010
• Ruble, Casey, “Exhibition Reviews, Nicole Eisenman,” Art in America, February 2010, p. 110
• Saltz, Jerry, "Unearthed Classics and Reinvented Forms: The Best Art of 2009", NYMag.com, December 24, 2009
• Asfour, Nana, "Nicole Eisenman," Time Out New York, December 17-30, 2009, p. 82
• Yau, John, "Nicole Eisenman," The Brooklyn Rail, December 9, 2009-January 10, 2010
• Cotter, Holland, "Golden Oldies All Over Chelsea," The New York Times, December 4, 2009, p.C37
• "MONA Announces Prinzhorn Prize Winners," thedetroiter.com, October 15, 2009
• Saltz, Jerry, “Gender Benders Visionary twists from a magnificent seven,” New York Magazine, October 12, 2009, pp. 58-61
• Ebony, David, “David Ebony’s Armory Top 10,” Art in America, March 8, 2009
• Nicole Eisenman interview with Brian Sholis, ArtForum online, September 6, 2008
• Artforum diary - Nicole Eisenman at Art Basel Fair, Miami, FL, 2007
• D'Souza, Aruna and Ya-Ling Wang, "A.L. Steiner and Nicole Eisenman Ridykeulous 2006," eFEMera Catalogue, November 2007, pp. 4-5
• Bors, Chris, "Studio Visit," Artilery, vol. 2, September 2007, p. 31
• Basting, Barbara, "Eisenmanism," Tagesanzeiger
• Sumpter, Helen, "Prison," Time Out London, April 18-24, 2007, p. 37
• Wurst, Karl, "Sadistischer Geschlechterkampf," Neue Zurcher Zeitung
• "Die Mannerwelt an den Pranger Gestellt," Schlaffhauser Nachrichten
• Schadler, LInda, "Groteske Utopien," Neue Zurcher Zietung
• "Zeichnungsklinik und ein Blog,"Zurcher Oberlandler
• Nicole Eisenman, Kunsthalle Zurich, Vanity Fair Nr.14
• Vernissage, Tachles, Das judische Wochenmagazin
• Zwischen und Katastrophenfall, Zuritipp, Beilage Tages Anzeiger
• Hirsch, Faye, "Tides and Tidings," Art in America, October 2006, pp. 176-181
• "Pen&Ink," Art In America, October 2006, p.45
• "Nicole Eisenman," The New Yorker, June 12, 2006, p. 28
• Burton, Johanna, "Nicole Eisenman," Artforum, Summer 2004, p. 248
• “Galleries-Downtown,” The New Yorker, April 5, 2004
• Chasin, Noah, “Nicole Eisenman, Elizaville,” TimeOut, April 1-8, 2004, p. 4
• Johnson, Ken, “Report from NY, Big Top Whitney," Art in America, June 1995, pp. 38-41, 43-44

Justin Faunce

• Mattick, Paul, "The World in View," Justin Faunce catalogue, 2007, pp. 1-5
• Saltz, Jerry, "System Overload," The Village Voice, March 2-8, p.89
• Herbert, Martin, "Justin Faunce," Modern Painters, July/August 2006, pp. 50 and 52
• Knofel, Ulrike, "Der Uberflieger," Der Spiegel, Nr. 22, 2006, pp. 142-143
• Pilz, Michael, "Der Himmel ist leer" Die Welt, December 6, 2005

Naomi Fisher

• Kley, Elizabeth, "Gotham Art & Theater," Artnet.com Magazine, October 6, 2009
• Gartenfeld, Alex, “Questionaire: Jim Drain and Naomi Fisher,” Interview Magazine online, December 3, 2008
• Bors, Chris, “Chroma Trouble,” artnet Magazine, August 7, 2006
• Cotter, Holland, “Insert Object, and Out Comes an Artful Replica,” New York Times, November 23, 2005
• Schmidt, Jason, "Work in Progress: Crazy Beautiful," V Magazine, Vol. 34, Spring 2005
• McCormick, Seth, “Naomi Fisher,” Flash Art, January-February 2001, p. 108
• Giovannotti, Micaela, "Backyard Review," Tema Celeste, Issue 82, Fall 2000

Gelitin

• Olsen, Craig, "Painting Now and Forever, Part II, The Brooklyn Rail, September 2008
• Stocchi, Francesco, "La Louvre is Home," Spike, Issue 15, 2008, pp. 64-73
• Lachmayer, Herbert, “Inspiring Decadence,” Parkett, 79, 2007, pp.165-168
• Boguslawska, Karolina, “Genital Panic In Reykjavik,” List #10, Icelandic Art News, 2006
• Cotter, Holland, “Insert Object, and Out Comes an Artful Replica,” New York Times, November 23, 2005
• Lissoni, Andrea, “Incontro ravvicinato,” Rolling Stone Magazine, October 2005

Torben Giehler

• Ebony, David, “David Ebony’s Armory Top 10,” Art in America, March 8, 2009
• “Unterwegs in neue Räume,” Kunst + Unterricht, 2009, pp. 30-31
• Kohlenberg, Kerstin, “Torben Giehler,” Zeit Magazin, October 23, 2008, pp. 46-48
• Carey-Kent, Paul, “Abstracting ARCO,” Art World, Issue 4, April-May 2008, pp. 122-123
• MacAdam, Barbara, “The New Abstraction, ARTnews, April 2007, pp. 110-115
• MacMillan, Kyle, “Color makes a comeback in this Aspen show,” Weekly Entertainment Guide, March 30, 2007, pp. 1FF, 7FF
• Kobel, Stefan, “Aus Kindern Werden Leute,” www.artnet.de, October 1, 2006
• Eriksen, Anne Katherine, "Interview- Friederike Nymphius," www.kopenhagen.dk, October 1, 2006.doc
• Leffingwell, Edward, “Torben Giehler at Leo Koenig Inc.,” Art In America, April 2005, p.147
• “Torben Giehler,” The New Yorker, November 15, 2004, p. 22
• Schwendner, Martha, “Surface Tension”, TimeOutNY, June 10-17, 2004, p. 58
• Coulson, Amanda, “Torben Giehler,” ARTNews, June 2004, p. 124
• Robecchi, Michele, "Il Nuevo Cubismo," In The World, March 2004, pp. 114-121
• Anspon, Catherine, “Jeff Elrod, Torben Giehler, Erik Parker“, ARTNews, May 2003, p. 162
• Greenwood, Cynthia, “Elrod, Giehler, Parker - paintings by 3 artists,” Houston Chronicle, February 27, 2003 p. 30
• Hunt, David, “Shockwave Xanadu,” Artext, Fall, pp. 58-63
• “Torben Giehler,” The New Yorker, October 14 & 21, 2002
• Smith, Roberta, “Torben Giehler,” The New York Times, October 4, 2002, p. E33
• Johnson, Ken, “Torben Giehler,” The New York Times, October 13, 2000, p. E44

Daniel Gordon

• Molina, Joanne, "Four Books That Consider the Future of Art," Modern Painters, December 2009/ January 2010, p. 76
• Oliver, William, “This Month, Daze Gets Playful With Five Artists Who Refuse to Grow Up,” Dazed and Confused, December 2009, pp. 24-26, 28, 30
• “Daniel Gordon,” The New Yorker, November 16, 2009
• "Goings On About Town," The New Yorker, November 11, 2009
• Rosenberg, Karen, Into the Darkroom, With Pulleys, Jam and Snakes, The New York Times, November 5, 2009
• Aletti, Vince, “The Cartoon Issue,” The New Yorker, November 2, 2009
• Smith, Roberta, "Daniel Gordon: A World of Scissors and Paper That’s Captured in Photographs," The New York Times, June 30, 2007
• Armetta, Amoreen, "Daniel Gordon," Time Out New York, June 21-27, 2007, p. 68
• Martin, Courtney J., "Critics Picks: Daniel Gordon," ArtForum.com, June 2007
• Schmerler, Sarah, "Tour de force," Time Out New York, February 22-28, 2007, p. 20

Ridley Howard

• Tarnowski, Dan, "Conceptual Figures @ Deitch Projects," Whitehot Magazine, October 2008
• Dimling Cochran, Rebecca, "The Radar Art," The Atlantan, November 2006, pp. 86-87
• Kunitz, Daniel, "Meet the New Folk," ArtReview, April 2005, pp. 44-45
• Miller, Francine, "Ridley Howard", Teme Celeste, July/August, 2005
• Johnson, Ken, "Ridley Howard", The New York Times, October 4, 2002

Brandon Lattu

• “Superlatives and Neighbors,” Blind Spot, issue 15, 2008, pp. 37, 62-65
• Strecker, Manfred, “Getauschtes Auge,” Nr. 249, October 2007, pp. 1-3
• Jostwerner, Uta, “Jenseits des physisch Mglich,” October 2007
• "Brandon Lattu," The New Yorker, June 11, 2007, p. 4
• Sigler, Jeremy, "Brandon Lattu 4 Models," Brooklyn Rail, June 2007, pp. 34-35
• Kobel, Stefan, “Aus Kindern Werden Leute,” www.artnet.de, October 1, 2006
• Eriksen, Anne Katherine, "Interview- Friederike Nymphius," www.kopenhagen.dk, October 1, 2006.doc
• Caprasse, Marie-Jeanne, "hyperfocal," paris-art.com, March 3, 2005
• "Previews," Dazed and Confused, 2005, p. 173
• Draft, Spring 2005, p. 89
• Nelson, Philip, "Hyperfocal – 5 artistes de Los Angeles," cnap.fr, February 19 –March 26, 2005
• "Hyperfocal – 5 Artistes de Los Angeles,” abawe.com, February 19 - March 26, 2005
• Mine, Molly, "Hyperfocal," Paris Capitale, February 15 - March 15, 2005, p.150
• Wright, Karen, “Photography 2005,” Modern Painters, March 2005, p. 97
• "Hyperfocal – 5 Artistes de Los Angeles," Agenda, no.8, February – March 2005,p.12
• Steward, Sue, "A focus on six best," Evening Standard, January 19, 2005, p. 44
• Guner, Fisun, "Much ado about nothingness, " Metro Life, January 18, 2005, p. 26
• Frimbois, Jean-Pierre, "Effervescence," Art Actuel, January 2, 2005, p. 19
• Djerouiet, Sandrine, "Los Angeles: lumiere sur une nouvelle generation d'artistes," Art Jonction, no.49, January - February 2005, p.14
• Pitman, Joanna, "Young and original: six artists in the frame," The New York Times, January 1, 2005, p. 23

Tony Matelli

• Tony Matelli's Solo Show "The Constant Now" Receives Artforum Critics' Pick
• Johnson, Ken," Ahoy from Nudes, a Pirate and Scrooge McDuck," NY Times, March 5, 2010, March 5, 2010
• Tony Matelli on Beautiful Decay website, June 10, 2009
• Video from Dark Fair Cologne 2009, includes Tony Matelli's "Free Yourself"
• Ebony, David, “David Ebony’s Armory Top 10,” Art in America, March 8, 2009
• Westcott, James, "Has the recession sparked a new Renaissance?" guardian.co.uk, March 5, 2009
• Del Signore, John, "The Armory Show 2009 in Photos," The Gothamist, March 5, 2009
• Keeley, Amanda, "A-Z from The Armory Show, New York, 2007," Whitewall, Issue 6, 2007, p. 158
• Johnson, Ken, "Pointing out creativity's goofy side," The Boston Globe, July 17, 2007
• Steel, Sharon, "Putting the 'art' in 'fart,'" The Boston Pheonix, July 6, 2007
• Boutant, Voilaine, "Reviews," Art press 333, April 2007
• Schwendener, Martha, "Art in Review," New York Times, February 9, 2007, p. E36
• Wahler, Marc Olivier," Cinq Milliards D'annees," Palais de Tokyo Magazine 01, Winter 2006
• Raap, Jurgen, “Meesen & Markte,“ Kunstforum, November 2004, pp. 390-391
• Ebert, Sandra, and Michael Wand, “Art Cologne: der Chef Zigt Ihnen, Was Sie Sehen Mussen,“ Express, October 28, 2004, p. 42

Erik Parker

• Beautiful/Decay (partial), Summer 2006
• Beautiful/Decay pg. 2
• Beautiful/Decay pg. 3
• Anspon, Catherine, “Jeff Elrod, Torben Giehler, Erik Parker“, ARTNews, May 2003, p. 162
• Greenwood, Cynthia, “Elrod, Giehler, Parker - paintings by 3 artists,” Houston Chronicle, February 27, 2003 p. 30

Alexis Rockman

• Koslow Miller, Francine, "Alexis Rockman, Rose Art Museum," ArtForum, September 2008, p. 465
• Cook, Greg, "The folk and the fine, 'Keepers of Tradition' and Alexis Rockman," The Boston Phoenix, June 16, 2008
• "Alexis Rockman paints Mother Nature in a foul mood," MetroWest Daily News, June 15, 2008
• Corbett, Rachel and Adam P. Scheider, "Global Warning," ARTnews, June 2008, pp. cover, 110-113
• Genocchio, Benjamin, "Today's Landscapes, Tomorrow's Dystopia," The New York Times, June 1, 2008
• Interview of Alexis Rockman for the group exhibition "Future Tense: Reshaping the Landscape" at Neuberger Museum of Art, NY (please click on Past Exhibitions on museum's site)
• Cateforis, David, Alexis Rockman at Grand Arts, Kansas City, Missouri, March 2005, p. 51, March 2005

Les Rogers

• Asfour, Nana, Time Out New York, Les Rogers "Last House", February 8, 2010
• Finch, Charlie, "Les is More," artnet.com, January 28, 2010
• Robinson, Walter, "Weekend Update," artnet.com, January 11, 2010
• Aleksander, Irina, “Mr. Rogers Neighborhood: Painter Speyer, Elton,” The New York Observer, December 1, 2006
• Pasquariello, Lisa, Les Rogers review, Artforum, May 2006, p. 290
• Les Rogers, The New Yorker, February 27, 2006
• "Fragmented yet comprehensive," Los Angeles Times, March 19, 2004
• Smith, P.C. “Les Rogers at Leo Koenig,” Art in America, March 2003, p. 123

Tom Sanford

• “Interview: Tom Sanford and Ryan Schneider,” with David Grimberg, Kopenhagen.dk, July 13 2010
• Rasmussen, Anne Sophie, "Talentfulde rovhuller," Kunsten.nu, July 12, 2010
• "Tom Sanford, Painting History," Interviewed by Jokeren, Cover.dk, July 7, 2010
• “Group show in Nassau County Museum of Art’s Contemporary Gallery,” artdaily.org, June 24, 2010
• Graell, Vanessa, “El surrealismo pop y el graffiti triumfan en la feria de arte emergente Swab," El Mundo.es, May 14, 2010, p. 59
• McNamara, Caitlin, “’Invisible Dog-Leash’ Factory Transformed Into B’klyn Art Center,” Brooklyn Daily Eagle, October 1, 2009
• Interview by Qi Peng, "Assassintation: Tom Sanford, Artist Represented by Leo Koenig Inc.," Salt Lake City Fine Arts Examiner, July 13, 2009
• Korotkin, Lindsay, Tom Sanford, BeautifulDecay, IssueX, p.20
• “Pencil This In,” The Gothamist.com, May 22, 2008
• Wolff, Rachel, "Artist Tom Sanford Gets His Christmas Cheer From a Can," NYmag.com, December 10, 2007
• NewYorkMagazineOnline,07/17/07
• "Interview: Tom Sanford," Kopenhagen
• Useless "Can't Knock the Hustle"

Bill Saylor

• Bembnister, Theresa, "Trash Talking: No Country for Old Interns," Glasstire.com, July 2010
• Finch, Charlie, "Les is More," artnet.com, January 28, 2010
• Cotter, Holland, "Art in Review, Peanut Gallery, The Journal Gallery," The New York Times, January 31, 2009
• Smith, Roberta, "New York’s Finest," New York Times, February 11, 2005
• Raskin, Lisi, "Bill Saylor," Frieze, November-December 2003, p. 97
• Johnson, Ken,”Art Review,” The New York Times, Art and Leisure, July 4, 2003, p. E30
• Inguit, Chris, "Irrational Times," The G.W. Hatchett, George Washington University, April 24, 2003
• Pearson, Jesse, “Bad Ass Trip,” Vice Magazine, v10N3, 2003, p. 46
• Boggs, Sherri, “Spontaneous Combustion,” The Pacific Northwest Inlander, September 19-25, 2002, p. 36
• Twardy, Chuck, “Downtown Imports,” Las Vegas Weekly, May 30, 2002
• Levin, Kim, "Voice Choices," The Village Voice, July 9-16, 2001, p 87
• Cotter, Holland, New York Times, April 20, 2001, p. E33
• Zeits, Lisa, Frankfurt Allgemeine Zeitung, Seite 74, Nr. 83, April 7, 2001
• Moser, Tanja, “Ein 23-jahriger, Munchner hat, das Herz der amerikanishen Kunstwelt erobert," TZ, April 7/8 2001, p. R3
• Levin, Kim, “Galleries,” Village Voice, April 3, 2001, p. 94
• Levin, Kim, “Voice Choice,“ Village Voice, April, 2001, p. 103
• “Machine Gun Etiquette,” New York Contemporary Art Report, Summer Issue, 1999
• Frank, Peter, “Maura Bendett, See-Thru, Solar Perplexus,” Art Pick of the Week, L.A. Weekly, May 1, 1999

David Scher

• Time Out New York- Review, August 2007
• New York Times- Review, August 2007

Christian Schumann

• Kunitz, Daniel, "A Collector's Fantasy on Display," The New York Sun, October 18, 2007, pp. cover and 13
• Johnson, Ken, "Christian Schumann: Variations and Suppositions," The New York Times, November 11, 2005
• Wei, Lilly, "Christian Schumann at Leo Koenig," Art in America, November 2005, pp. 147-148
• Mitchell, Charles Dee, “Angstrom pairs rising stars with like-minded master,” The Dallas Morning News, May 29, 2002, p. 12C
• Leffingwell, Edward, “Christian Schumann,” Art in America, February 2000, pp. 127-128
• "Best Gallery Exhibitions,” New York Press, September 22- 28, 1999, p. 25
• Montreuil, Gregory, “Christian Schumann,” New Art Examiner, September 1999, p. 57
• Saltz, Jerry, “Pattern & Dissipation,” The Village Voice, June 22, 1999, p. 159
• “Christian Schumann,” The New Yorker, June 7, 1999, p. 12
• Kimmelman, Michael, “Christian Schumann,” The New York Times, June 4, 1999, p. E33
• Viveros-Faune, Christian, “Scary Monsters,” New York Press, June 2-8, 1999, p. 16
• Dietsch, Scott, “Comic book style elevates everyday objects to art,” The Villager, June 2, 1999
• Tomkins, Calvin, “Finely Tooned,” The New Yorker, October 20-27, 1997, pp. 218-219
• “Christian Schumann/Sylvie Fleury,” The New Yorker, December 18, 1995, p.23
• Levin, Kim, “Christian Schumann/Sylvie Fleury,” Village Voice, December 19, 1995, p. 11
• Yablonsky, Linda, “Christian Schumann,” Time Out New York, November 15-22, 1995, p. 33
• Johnson, Ken, “Report from NY, Big Top Whitney," Art in America, June 1995, pp. 38-41, 43-44
• Cotter, Holland, “A Critic’s Dozen to Catch at the Biennial,” The New York Times, March 12, 1995, p. H37
• Saltz, Jerry, “A Year in the Life: Tropic of Painting,” Art in America, October 1994, pp. 90-91, 94-95
• Cameron, Dan, “Ode to Discernment,” Frieze, Issue 14, January-February 1994, pp. 36-40
• Haus, Mary, “Christian Schumann,” ArtNews, January 1994, p.182
• “Christian Schumann,” The New Yorker, October 4, 1993, p. 36
• Smith, Roberta, “A New Painter’s Way with Image and Text,” The New York Times, October 1, 1993, p. C28

Wendy White

• Markus, Liz, “Chelsea Openings,” Huffington Post, June 25, 2010
• Saltz, Jerry, “Art,” New York Magazine, May 10, 2010
• Dana Frankfort & Wendy White in Conversation, NYFA.com, April 28, 2010
• Pozuelo, Abel H, “Wendy White, colapso calculado,” El Cultural, October 16-22, 2009
• Chatterson, Kris, "Studio Visit, Wendy White," Bomblog, bombsite.powweb.com, September 21, 2009
• Johnson, Patty, "The Next Ones: Wendy White (visual artist)," The L Magazine, September 2 -15, 2009, pp. 18-24
• Peng, Qi, "EXCLUSIVE ASSASSINATION: Wendy White, Art Represented by Leo Koenig, Inc.," Salt Lake City Examiner, www.examiner.com July 22, 2009
• Rubenstein, Raphael, “Provisional Painting,” Art in America, May 2009, pp. 122-135
• Hudson, Suzanne, ”Wendy White, Leo Koenig,” ArtForum, October 2008, p.383
• Olsen, Craig, "Painting Now and Forever, Part II, The Brooklyn Rail, September 2008
• Saltz, Jerry, "Critic's Picks," New York Magazine online, July 23, 2008
• Chu, Ingrid, "Accidental Blackspot," Time Out New York, Issue 673, August 20-26, 2008
• Coates, Jennifer, "Wendy White "Autokennel" TimeOut New York, July 10-16, 2008, p.58
• Olsen, Craig, "Freeze Frame," Brooklyn Rail, March 2008, pp. 50-51
• Conne, Jill, "Freeze Frame," ArtUS, Issue 22, Spring 2008
• Maine, Stephen, "From Glitter to Grit," The New York Sun, January 24, 2008
• Gunn, Dan, "Some Abstraction Occurs," Newcity Chicago, January 11, 2008
• Maine, Stephen, "Addressing Liberty Without Literality," The New York Sun, August 2, 2007
• Hollday, Frank, "Abstraction Reconsidered," Gay City News, July 26, 2007
• Maine, Stephen, "Wendy White at Sixtyseven," Art in America, February 2007, p. 153
• Fox, Catherine, "Man's junk gives off a toxic vibe, The Atlanta Journal-Constitution, November 19, 2006
• Maine, Stephen, “Dateline Brooklyn,“ Artnet, April 15, 2004

Kelli Williams

• Johnson, Ken, “Museum and Gallery Listings: Kelli Williams: ‘Scala Naturae’,” The New York Times, June 23 & 25, 2010, p.C19
• Johnson, Ken, "Kelli Williams: Scala Naturae," The New York Times, June 17, 2010, p. C27
• Kunitz, Daniel, “Kelli Williams,” artinfo.com, June 17, 2010
• Kunitz, Daniel, "A Collector's Fantasy on Display," The New York Sun, October 18, 2007, pp. cover and 13
• "Arts Calendar," The New York Sun, October 2, 2007, p. 14
• Ruble, Casey, "Kelli Williams," Art in America, October 2007, pp. 217-218

Exhibitions

"Self-Fulfilling Prophecies"

• Smith, Roberta, “Art in Review, 'Self-Fulfilling Prophecies',” The New York Times, April 16, 2010

Leo Koenig Inc. Contemporary Art

• Robinson, Walter, "Koenig of the Catskills," Artnet magazine, August 2008

"You Always Move In Reverse," curated by Bjarne Melgaard

• You Always Move In Reverse, The NY Times, 2007

Peter Saul

• Art in America, Sept. 2006

A.R. Penck

• Art Forum- A.R. Penck Review, October 2006

Christian Schumann

• Saltz, Jerry, “Pattern & Dissipation,” The Village Voice, June 22, 1999, p. 159

Gallery

• Endlich in New York, Interview by Heinz-Norbert Jocks,” Kunstforum, May - June 2010, pp. 414-419
• Johnson, Ken," Ahoy from Nudes, a Pirate and Scrooge McDuck," NY Times, March 5, 2010
• Kuoppamaki, Aarni, "Balanceakt auf dem Kunstmarkt," DW-World.De, December 12, 2009
• Waldherr, Gerhard, “Das System New York,” brand eins, December 2009, pp. 74-79, 81
• Del Signore, John, "The Armory Show 2009 in Photos," The Gothamist, March 5, 2009
• Westcott, James, "Has the recession sparked a new Renaissance?" guardian.co.uk, March 5, 2009
• Bierach, Barbara, "King Leo," Capital, July, 2008, pp. 138-139, 162-164
• Busing, Nicole, and Heiko Klaas, "Von wegen Kolsch und Kirschtorte!" WELTKUNST Contemporary, June 2008, pp. 20-23
• "Art People to Watch," Handlesblatt, April 18, 2008
• Amanda Browder with guest host Tom Sanford talk with Leo Koenig, badatsports.com, December 30, 2007
• “Meine Bilder sind Fremdkorper” (Interview), Der Spiegel, Nr. 44, October 2007pp. 210-213
• Ehlert, Matthias, "Bube, Konig, Ass!" GQ, January 2007, pp. 46-47
• Artnet-Der High Class auf dem Artforum Berlin
• Knofel, Ulrike, "Der Uberflieger," Der Spiegel, Nr. 22, 2006, pp. 142-143
• Paumgarten, Nick, "Salesman," The New Yorker, October 17, 2005, pp. 144-151
• Deimantas Narkevicius interviews Kestutus Kuizinas, Flash Art, July-September 2004, pp. 57-59
• Schaernack, Christian, “Den Talk of the Town provoziert eine Neuentdeckung,” Handelsblatt, Kunstmarkt, Friday/Saturday, March 5/6, 2004,Nr. #46